素材の魅力を最大限生かすこと。その素材を選ぶ理由、技法、装飾、形、そして焼き方、全てに齟齬が無いこと。
今現在の私の頭の中は小難しいロジックでいっぱいですが、そんな頭でっかちな次元をいつか飛び越えてしまいたいと思いつつ、
ひとまずは今目の前にある磁土と、運よく辿り着いた「練継」という技法を掘り下げ続けています
星野 友幸
Draw charm of the material to the maximum.
Reason to choose the material as, technique, decoration, form, and way of kiln, none of them having disagreement.
It is full of trifling logics in my head as of now. But while wanting to
fly over the dimension that is such a top-heaviness sometime,
I continue digging into porcelain clay before the now eye , and technique
called "NERITSUGI" where I arrived at.
Tomoyuki
Hoshino